How do you optimize your LUTs for Sony S-Log footage?Įvery one of our 25 creative LUTs comes with both a Rec.
All LUTs are supplied in both Rec 709 and Sony S-Log 2/3 formats, assuring shooters who use popular Sony cameras such as the A7s, A6300 and FS5 that they will be getting the best results from their high-dynamic range footage. Our hand-crafted LUTs are designed to work with all modern digital cameras and color spaces, including the popular Sony S-Log 2 and 3. It’s snowing on our great mountain! Today we will make a basic grade for your G7, G85, GH4, GH5 but also any other DSLR that can record flat profile and we will bring colour and contrast to your flat profile the link for the basic grade will be in the description Let’s jump in because i’ve updated to Adobe Premiere 2017 Import your flat/cinelike D footage on your timeline Go to colour tab All Addobe Premiere from 2015 have this tab You will find 6 scroll down menu’s Go to basic correction i start with a drop down of the temperwature because i like that way to -Than i bring a slight the tint to, i like to lift the exposure a slight because i underexpose a little bit always in this bright situations i lift up the contrast to bring back the colours le’s put it on a slight increase of the higlights to i bring down the shadow again to approx -15 and bring down some blacks to -10 On the creative drop down menu i like to sharpen back the footage for this type of video bring up some vibrance and some slight adjustment on the saturation On the curve dropdown menu i make a slight s curve nut just a little bit For this basic grade i do not mess with the colors weels, hsl secondaries and vignetting This was a quick basic grade for your flat picture the setting that i used on my G7 will be in the description with the link to download the lut file.About Cinematics Color Correction & Grading LUTsĬinematics LUT packs are designed to speed up the color correction and grading process.
0 kommentar(er)
